A partir de una novela de Dennis Cooper
\n<\/strong>Direcci\u00f3n Gis\u00e8le Vienne
\n<\/strong>Dramaturgia\u00a0Dennis Cooper<\/strong><\/p>\n

A mediados de los 70, en Texas, Dean Corll mat\u00f3 a m\u00e1s de veinte ni\u00f1os con la ayuda de los adolescentes David Brooks y Wayne Henley. Esta es una reconstrucci\u00f3n imaginaria \u2013extra\u00f1a, po\u00e9tica, divertida y sombr\u00eda\u2013 de esos cr\u00edmenes, mezclando t\u00edteres, sexualidad y violencia con una est\u00e9tica gore<\/em>.<\/strong><\/p>\n

\u00abUn hombre, una silla y cinco t\u00edteres es todo lo que se necesita para reconstruir los asesinatos. La escasez de elementos compensa el peso de las cruentas historias contadas por Jonathan Capdevielle\u00bb. Le Monde.<\/p>\nRESE\u00d1A<\/span>

\n
Jerk<\/em> es una reconstrucci\u00f3n imaginaria \u2013extra\u00f1a, po\u00e9tica, divertida y sombr\u00eda\u2013 de los cr\u00edmenes perpetrados por el asesino en serie americano Dean Corll que, con la ayuda de los adolescentes David Brooks y Wayne Henley, mat\u00f3 a m\u00e1s de veinte ni\u00f1os en el estado de Texas a mediados de los a\u00f1os 70.<\/p>\n
Esta pieza nos muestra a David Brooks mientras cumple su condena de cadena perpetua. En la c\u00e1rcel aprende el arte de los t\u00edteres, con los que, de alguna manera, puede hacer frente a su responsabilidad como part\u00edcipe de los delitos. Escribe un espect\u00e1culo que reconstruye los asesinatos cometidos por Dean Corll, usando los t\u00edteres para representar a todos los personajes y lleva a cabo su espect\u00e1culo en la c\u00e1rcel para una clase con estudiantes de psicolog\u00eda de una universidad local.<\/p>\n
Por la violencia y el humor del texto hay una ferocidad subyacente a la actuaci\u00f3n. El teatro de t\u00edteres, de hecho, es la forma tradicionalmente utilizada para representar a sujetos violentos y actos il\u00edcitos. Y Jerk<\/em> mezcla, descaradamente, la sexualidad y la violencia en la l\u00ednea de la est\u00e9tica gore, remont\u00e1ndose naturalmente al repertorio de los t\u00edteres de guante. El texto se articula como un solo para titiritero de marionetas de guante que tambi\u00e9n hace el papel del farsante.<\/p>\n
La historia, aun pareciendo tan realista, raya en el irrealismo. El aparente realismo de la obra proviene de su narrativa lineal y del hecho de estar basada en una historia real, as\u00ed como de la profunda identificaci\u00f3n del titiritero-farsante con el personaje ficticio de David Brooks.<\/p>\n
Jerk<\/em> es la cuarta pieza dram\u00e1tica de Gis\u00e8le Vienne producida en colaboraci\u00f3n con el escritor americano Dennis Cooper tras I Apologize<\/em> (2004), Une belle enfant blonde<\/em> (2005) y Kindertotenlieder <\/em>(2007). En estas obras, las conexiones entre fantas\u00eda y realidad se cuestionan permanentemente, llegando a alterar nuestra percepci\u00f3n de la realidad. Cuanto m\u00e1s realista se plantea Jerk <\/em>desde su narrativa lineal y constante, m\u00e1s credibilidad ofrece, derivada de esta forma de cuestionamiento. Y es esta \u201cinnegabilidad\u201d la que aqu\u00ed en Jerk <\/em>se reexamina, a trav\u00e9s de las diferentes experiencias formales.<\/p>\n<\/div>\nDIRECTORA<\/span>
\n
Gis\u00e8le Vienne, franco-austr\u00edaca, naci\u00f3 en 1976, y ahora trabaja en Grenoble y Par\u00eds. Despu\u00e9s de graduarse de filosof\u00eda, estudi\u00f3 Ecole Sup\u00e9rieure Nationale des Arts de la Marionnette. Es core\u00f3grafa y director, int\u00e9rprete y artista visual. Despu\u00e9s ella la coreograf\u00eda con Etienne Bideau-Rey: Splendid\u2019s<\/em> (2000) de Jean Genet, Showroomdummies<\/em> (2001), St\u00e9r\u00e9otypie<\/em> (2003), y Tranen Veinzen<\/em> (2004). Desde 2004, ha grabajado como core\u00f3grafa y directora en colaboraci\u00f3n con Dennis Cooper, en I Apologize<\/em> (2004); Une belle enfant blonde \/ A young, beautiful blond girl <\/em>(2005); Kindertotenlieder<\/em> (2007); Jerk<\/em>, una obra radial en el contexto del \u201catelier de cr\u00e9ation radiophonique\u201d de France Culture (June 2007); y la obra Jerk<\/em> (2008). En 2009, cre\u00f3 Eternelle Idole<\/em> con un patinador sobre hielo y un actor y reescribiendo Showroomdummies<\/em> con Etienne Bideau-Rey. En Julio de estren\u00f3 This is how you will disappear <\/em>en el Festival de Avi\u00f1\u00f3n.<\/p>\n
Fue actriz en algunas pel\u00edculas de Patric Chicha, como Home<\/em> (2005) y Domaine <\/em>(2010), donde tambi\u00e9n trabaj\u00f3 como core\u00f3grafa. M\u00e1s a\u00fan, para la pel\u00edcula de Paul Otchakovsky Laurens, Sabl\u00e9-sur-Sarthe <\/em>(2009), cre\u00f3 un mu\u00f1eco y lo dirigi\u00f3.<\/p>\n
Junto a Etienne Bideau-Rey, ha dirigido la publicaci\u00f3n de dos revistas, Corps\/Objet \u2013 Sur le rapport du corps au corps artificiel<\/em>, publicadas por el Centre Chor\u00e9graphique National de Grenoble.<\/p>\n
Desde 2005 ha exhibido frecuentemente sus fotograf\u00edas e instalaciones en Par\u00eds, en La Force de l’Art, Grand Palais (2006), y en Brest, en el Centre Atlantique de la photographie (2007) y en Le Quartz (2010) y tambi\u00e9n en Osaka con la exposici\u00f3n Stay with Art <\/em>(2007).<\/p>\n
Actualmente est\u00e1 trabajando en dos montajes-instalaciones, LAST SPRING: A Prequel<\/em> (presentada en el Festival Anticodes’11 \/ le Quartz, Sc\u00e8ne nationale de Brest y en el Espace Hard Hat en Geneva) y LAST SPRING: <\/em>(subtitle in progress).<\/p>\n
Gis\u00e8le Vienne, Dennis Cooper, Peter Rehberg y Jonathan Capdevielle acaban de publicar un audiolibro en franc\u00e9s e ingl\u00e9s: Jerk \/ Through Their Tears<\/em>, ediciones DIS VOIR. Despu\u00e9s, en colaboraci\u00f3n con Dennis Cooper, dirige el fanzine LAST SPRING: The Maps<\/em>, en el marco de la Cooperative Fanzine creada por Dominique Gonzalez-Foerster, Philippe Parreno y Jean-Max Colard.<\/p>\n<\/div>\nAUTOR<\/span>
\n
Dennis Cooper es novelista, poeta y cr\u00edtico. Vive en Par\u00eds y Los \u00c1ngeles, ha publicado ocho novelas, siendo las \u00faltimas The Sluts<\/em> y God Jr.<\/em>, ambas en 2005. Es editor colaborador en la Art Forum Magazine, y editor de la imprenta Little House en el Bowery. Escribi\u00f3 los textos para las obras I Apologize <\/em>(2004), Kindertotenlieder <\/em>(2007), Jerk<\/em> (2008), This is how you will disappear<\/em> (2010), LAST SPRING: A Prequel<\/em> (2011) y Une enfant blonde. A Young Beautiful blonde girl<\/em> (2006), en colaboraci\u00f3n con Catherine Robbe-Grillet.<\/p>\n<\/div>\nFICHA ART\u00cdSTICA<\/span>
\n
A partir de una novela de Dennis Cooper<\/strong>
\nDirecci\u00f3n Gis\u00e8le Vienne<\/strong>
\nDramaturgia Dennis Cooper<\/strong>
\nM\u00fasica Peter Rehberg (m\u00fasica original) y El Mundo Frio de Corrupted<\/strong>
\nIluminaci\u00f3n Patrick Riou<\/strong>
\nInterpretada y creada en colaboraci\u00f3n con Jonathan Capdevielle<\/strong>
\nVoces grabadas C\u00e9sar Bernard y Jos\u00e9 Enrique O\u00f1a Selfa<\/strong>
\nEstilismo Stephen O\u2019Malley y Jean-Luc Verna<\/strong>
\nMarionetas Gis\u00e8le Vienne y Doroth\u00e9a Vienne Pollak<\/strong>
\nMaquillaje Jean-Luc Verna y Rebecca Flores<\/strong>
\nVestuario Doroth\u00e9a Vienne Polak, Marino Marchand y Babeth Martin<\/strong>
\nProfesor de ventricolqu\u00eda Michel Dejeneffe<\/strong>
\nEnsayos en espa\u00f1ol en colaboraci\u00f3n con Pierre Dourthe y Luisma Soriano<\/strong>
\nTraducci\u00f3n del ingl\u00e9s al espa\u00f1ol Javier Calvo<\/strong>
\nGracias a l’Atelier de cr\u00e9ation radiophonique of France Culture, Philippe Langlois y Franck Smith. A Sophie Bissantz por los efectos de sonido. Voces y efectos de sonido grabados por el Atelier de cr\u00e9ation radiophonique<\/strong>
\nGracias a Justin Bartlett, Nayland Blake, Alcinda Carreira-Marin, Florimon, Ludovic Poulet, Anne S – villa Arson, Thomas Scimeca, Yury Smirnov, Scott Treleaven, la Galer\u00eda Air de Paris, Tim\/IRIS y Jean-Paul Vienne<\/strong>
\nCon el equipo t\u00e9cnico de Quartz \u2013 Sc\u00e8ne Nationale de Brest<\/strong>
\nDirecci\u00f3n t\u00e9cnica Nicolas Minssen<\/strong>
\nProducci\u00f3n y distribuci\u00f3n internacional Key Performance \/ Koen Vanhove, Julia Asperska<\/strong>
\nAdministraci\u00f3n, producci\u00f3n y distribuci\u00f3n en Francia\u00a0Plat\u00f4 \/ S\u00e9verine P\u00e9an, Carine Hilly <\/strong>
\nProductor asociado DACM<\/strong>
\nCon la colaboraci\u00f3n de Quartz – Sc\u00e8ne nationale de Brest (Gis\u00e8le Vienne associate artist from 2007 to 2011)<\/strong>
\nCoproducci\u00f3n Le Quartz – Sc\u00e8ne nationale de Brest, Centre Chor\u00e9graphique National de Franche-Comt\u00e9 \u00e0 Belfort dans le cadre de l\u2019accueil-studio y Centro Parraga – Murcia<\/strong>
\nCon el apoyo del Conseil G\u00e9n\u00e9ral de l\u2019Is\u00e8re, Ville de Grenoble y M\u00e9nagerie de Verre en la fase de preparaci\u00f3n<\/strong>
\nLa compa\u00f1\u00eda DACM est\u00e1 apoyada por Drac Rh\u00f4ne-Alpes \/ Minist\u00e8re de la Culture et de la Communication, R\u00e9gion Rh\u00f4ne-Alpes y el Institut Fran\u00e7ais para giras internacionales<\/strong><\/p>\n<\/div>\n
Estreno\u00a0Marzo de 2008, Antipodes Festival 2008 \/ Le Quartz \u2013 Brest<\/strong>
\nDuraci\u00f3n\u00a055 minutos
\n<\/strong>Idioma En\u00a0espa\u00f1ol<\/strong>\u00a0<\/strong>\u00a0<\/strong><\/p>\n
$\"\"$ <\/strong><\/p>\n
Photo: Alain Monot<\/p>\n
FRANCE<\/p>\n
Based on a novel by\u00a0Dennis Cooper<\/strong><\/p>\n
Directed by\u00a0Gis\u00e8le Vienne<\/strong><\/p>\n
Text by\u00a0Dennis Cooper<\/strong><\/p>\n
In the mid 1970s, Dean Corll killed over twenty children in Texas, with the help of teenagers David Brooks and Wayne Henley. This work is an imaginary reconstruction – strange, poetic, fun and yet somber – of these crimes that mixes puppetry, sexuality, and violence with a gore aesthetic.<\/strong><\/p>\n
\u201cA man, a chair, and five puppets are all that is needed to reconstruct the killings. The scarcity of elements is a counterpoint to the blood-drenched stories told by Jonathan Capdevielle.\u201d Le Monde.<\/p>\nSYNOPSIS<\/span>
\n
Jerk<\/em> is an imaginary reconstruction \u2013 strange, poetic, funny and somber \u2013 of the crimes perpetrated by American serial killer Dean Corll who, with the help of teenagers David Brooks and Wayne Henley, killed more than twenty boys in the state of Texas during the mid-70s.<\/p>\n
This show sees David Brooks serving his life sentence. In prison, he learns the art of puppets, which somehow enables him to face up to his responsibility as partner in the crimes. He has written a show that reconstructs the murders committed by Dean Corll, using puppets for all the roles. He performs his show in prison for a class of psychology students from a local university.<\/p>\n
Due to the violence and humor of the text, there is an underlying fierceness to the performance. The glove puppet theater is in fact the traditional form used to enact violent illicit subjects. And Jerk<\/em> unabashedly mingles sexuality and violence in the vein of gore aesthetics, thus harking back to the glove puppet repertory.<\/p>\n
The text has been staged as a solo for puppeteer, who uses glove puppets and also acts the role of con artist.<\/p>\n
The story, however realist it may be, seems to border on unrealism. The play\u2019s apparent realism stems from its linear narration, as well as from its basic true story and from the trickster-puppeteer\u2019s total identification with the fictive character of David Brooks. Jerk <\/em>is the fourth play that were produced in collaboration with the American writer Dennis Cooper: I Apologize<\/em> (2004), Une belle enfant blonde<\/em> (2005) and Kindertotenlieder<\/em> (2007). In these three plays, the links between fantasy and reality are being constantly probed, thereby altering our perception of reality. The more realist Jerk<\/em> puts forth a consistent linear narrative, generating the credibility that undeniably stems from this form. And it is this undeniability that is reexamined by way of our different formal experiences.<\/p>\n<\/div>\nDIRECTOR<\/span>
\n
Gis\u00e8le Vienne<\/strong> was born in 1976, she is franco-austrian and now lives and works in Grenoble and Paris. After graduating in Philosophy, she studied at the puppeteering school Ecole Sup\u00e9rieure Nationale des Arts de la Marionnette. She is a choreographer\/director, performer and visual artist.<\/p>\n
Then she choreographed and staged with Etienne Bideau-Rey : Splendid\u2019s<\/em> (2000) by Jean Genet, Showroomdummies<\/em> (2001), St\u00e9r\u00e9otypie<\/em> (2003), and Tranen Veinzen<\/em> (2004). Since 2004, she has choreographed and directed, in collaboration with the writer Dennis Cooper, I Apologize<\/em> (2004) and Une belle enfant blonde<\/em> \/ A young, beautiful blond girl<\/em> (2005), Kindertotenlieder<\/em> (2007) and Jerk,<\/em> a radioplay in the framework of the \u201catelier de cr\u00e9ation radiophonique\u201d of France Culture (June 2007) and the play Jerk<\/em> (2008). In 2007, she is laureate of the exchange at the Villa Kujoyama and in 2009, she created Eternelle Idole <\/em>with an ice skater and an actor and the rewriting of Showroomdummies<\/em> with Etienne Bideau-Rey. In July 2010 she presented her new creation This is how you will disappear<\/em> at Festival d\u2019Avignon.<\/p>\n
She was an actrice in some films of Patric Chicha, whereof Home<\/em> (2005) and Domaine<\/em> (2010), in this one she has also worked as a choreographer. Furthermore, for the film of Paul Otchakovsky Laurens, Sabl\u00e9-sur-Sarthe<\/em> (2009) she created and directed a doll. She also played in the film Ganz Angst<\/em>, produced by Vidya Gastaldon, Jean-Michel Wicker, Serge Comte and Christophe Terpent, produced by Galerie Analix, Geneva, in 1996, and in a video clip of Brice Dellsperger, Funky Town<\/em> by Jean-Luc Verna & his Dum Dum Boys in 2006.<\/p>\n
With Etienne Bideau-Rey, she has been the director of publication of two magazines, Corps\/Objet \u2013 Sur le rapport du corps au corps artificiel, published by the Centre Chor\u00e9graphique National de Grenoble.<\/p>\n
Since 2005, she has been frequently exhibiting her photographs and installations in particular in Paris at La Force de l’Art, Grand Palais (2006), in Brest at the Centre Atlantique de la photographie (2007) and at Le Quartz (2010) and also in Osaka for the exhibition Stay with art<\/em> (2007).<\/p>\n
She is currently working on two staging \u2013 installations. The first one, Last spring<\/em>: A prequel<\/em> has been presented at the centre d’art passerelle in the frame of Festival Anticodes’11 \/ le Quartz, Sc\u00e8ne nationale de Brest and is presented at the Espace Hard Hat in Geneva from May 19 till July 3, 2011. The second one Last spring<\/em>: (subtitle in progress) will be presented in 2012.<\/p>\n
Gis\u00e8le Vienne, Dennis Cooper, Peter Rehberg and Jonathan Capdevielle just published an audio book in 2 versions French and English: Jerk \/ Through Their Tears<\/em>, editions DIS VOIR.<\/p>\n
Furthermore in collaboration with Dennis Cooper, she\u2019s directing the fanzine Last spring: The maps<\/em>, in the frame of la Cooperative Fanzine created by Dominique Gonzalez-Foerster, Philippe Parreno and Jean-Max Colard.<\/p>\n<\/div>\nPLAYWRIGTH<\/span>
\n
Dennis Cooper is a novelist, poet and critic. He lives in Paris and Los Angeles. He has published eight novels, most recently The Sluts<\/em> and God Jr<\/em>., both 2005. In France this books are published by POL. He is a contributing Editor of Art Forum Magazine and the editor of the American publishing imprint Little House on the Bowery. His most recent book is a short fiction collection Ugly<\/em> Man<\/em>, published in France by POL this past spring under the title Un type immonde<\/em>. He has written all the texts in I Apologize<\/em> (2004), Kindertotenlieder<\/em> (2007), Jerk <\/em>(2008), This is how you will disappear<\/em> (2010), Last spring: A prequel<\/em> (2011) and Une enfant blonde \/ A Young Beautiful blonde girl<\/em> (2006), in collaboration with Catherine Robbe-Grillet.<\/p>\n<\/div>\nCREDITS<\/span>
\n
From a novel of Dennis Cooper<\/strong><\/p>\n
Directed by Gis\u00e8le Vienne<\/strong><\/p>\n
Dramaturgy Dennis Cooper<\/strong><\/p>\n
Music Peter Rehberg (original music) and El Mundo Frio <\/em>of Corrupted<\/strong><\/p>\n
Lights Patrick Riou<\/strong><\/p>\n
Performed by and created in collaboration with Jonathan Capdevielle<\/strong><\/p>\n
Recorded voices Dennis Cooper and Paul P<\/strong><\/p>\n
Stylisme Stephen O\u2019Malley and Jean-Luc Verna<\/strong><\/p>\n
Puppets Gis\u00e8le Vienne and Doroth\u00e9a Vienne Pollak<\/strong><\/p>\n
Make-up Jean-Luc Verna and Rebecca Flores<\/strong><\/p>\n
Costumes Doroth\u00e9a Vienne Polak, Marino Marchand and Babeth Martin<\/strong><\/p>\n
Ventriloquism teaching Michel Dejeneffe<\/strong><\/p>\n
Spanish reharsalls in collaboration with Pierre Dourhte and Luisma Soriano<\/strong><\/p>\n
Text translation from American to Spanish Javier Calvo<\/strong><\/p>\n
Thanks to l’Atelier de cr\u00e9ation radiophonique of France Culture, Philippe Langlois and Franck\u00a0<\/strong>Smith. To Sophie Bissantz for sound effects. Voices and sound effects have been recorded\u00a0<\/strong>for the Atelier de creation radiophonique.<\/strong><\/p>\n
Thanks to Justin Bartlett, Nayland Blake, Alcinda Carreira-Marin, Florimon, Ludovic Poulet,\u00a0<\/strong>Anne S – villa Arson, Thomas Scimeca, Yury Smirnov, Scott Treleaven , la galerie Air de\u00a0<\/strong>Paris, Tim\/IRIS et Jean-Paul Vienne.<\/strong><\/p>\n
With the technical team of the Quartz \u2013 Sc\u00e8ne nationale de Brest<\/strong><\/p>\n
Technical direction Nicolas Minssen<\/strong><\/p>\n
Production and international distribution Key Performance \/ Koen Vanhove, Julia Asperska<\/strong><\/p>\n
Administration, production and distribution in France Plat\u00f4 \/ S\u00e9verine P\u00e9an, Carine Hilly<\/strong><\/p>\n
Associate producer DACM<\/strong><\/p>\n
With the collaboration of the Quartz – Sc\u00e8ne nationale de Brest<\/strong><\/p>\n
Coproduction Le Quartz – Sc\u00e8ne nationale de Brest, Centre Chor\u00e9graphique National de\u00a0<\/strong>Franche-Comt\u00e9 \u00e0 Belfort dans le cadre de l\u2019accueil-studio and Centro Parraga-Murcia.<\/strong><\/p>\n
With the support of Conseil G\u00e9n\u00e9ral de L\u2019Is\u00e8re, Ville de Grenoble and the M\u00e9nagerie de Verre in the framework of studiolab<\/strong><\/p>\n
The company DACM is supported by the Drac Rh\u00f4ne-Alpes \/ Minist\u00e8re de la culture et de la\u00a0<\/strong>communication, R\u00e9gion Rh\u00f4ne-Alpes, Conseil g\u00e9n\u00e9ral de l\u2019Is\u00e8re, Ville de Grenoble, and\u00a0<\/strong>Institut fran\u00e7ais for international tour.<\/strong><\/p>\n<\/div>\n
Premiere\u00a0March 2008, Antipodes Festival 2008 \/ Le Quartz \u2013 Brest<\/strong><\/p>\n
Length\u00a055 minutes<\/strong><\/p>\n
Language\u00a0In spanish<\/strong>\u00a0<\/strong><\/p>\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
Jerk es una reconstrucci\u00f3n imaginaria \u2013extra\u00f1a, po\u00e9tica, divertida y sombr\u00eda\u2013 de los cr\u00edmenes perpetrados por el asesino en serie americano Dean Corll que, con la ayuda de los adolescentes David Brooks y Wayne Henley, mat\u00f3 a m\u00e1s de veinte ni\u00f1os en el estado de Texas a mediados de los a\u00f1os 70.Jerk is an imaginary reconstruction \u2013 strange, poetic, funny and somber \u2013 of the crimes perpetrated by American serial killer Dean Corll who, with the help of teenagers David Brooks and Wayne Henley, killed more than twenty boys in the state of Texas during the mid-70s.